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✱花拉™@夢の敘情詩๑۩۞۩๑nightbloomingのHaNaRa✱

✱美麗會凋零✖豐收我的愛情✱™
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Photo 1 of 65
11/17/2009

pick of the week

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門內的燈已幾天沒亮

門外走廊的燈覺得很孤獨

工作預告的紙牌是我叫阿姨搞衛生的時候刻意保留的.

 

in the end, we still dont know...

本來只打算去看失望嘅龍洞水庫嘅我們,在目的地旁巧遇pocari,飲完之後所有嘢都變曬.

上山途中

我喜歡在後面看著大家

中途風景

快到頂了

山頂風光

好中意綠色

thought we eventually dont know where it is,

 i 'd love to go with u

晚上去聽jazz了..過了很exciting的一天.

 

南越王宮殿遺址原來要到2010年底才重新開放.

once我miss了一樣嘢,就要付出更多更多嘅時間才能重新得到它.

 
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11/6/2009

謝謝顏健佳(已更新炒車照)

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明天就是你我兩年多同一工作地點的最後一天,

goodbye my friend

謝謝顏健佳在全省的培訓中與我與大師兄一起越獄;

謝謝顏健佳2年多來兩次帶我眼鏡回家用沐浴液幫我清洗;

謝謝顏健佳放工的時候和我去看fake人大廈;

謝謝顏健佳和我去7eleven吃波波腸,吃魚蛋,飲酸奶;

謝謝顏健佳和我去14路車站吃雞巴腸;

謝謝顏健佳在地鐵站等我,和我一起上班路上看靚女,雖然只有一次;

謝謝顏健佳在我借調10000號的日子和華哥接我去吃飯;

謝謝顏健佳和我去打winning;

謝謝顏健佳深夜和包包一起陪我走新河浦;

謝謝顏健佳和大師兄與我三人每逢生日互請對方吃飯;

謝謝顏健佳陪我通宵工作修復節點失控沒怨言;

謝謝顏健佳幫我cut無數鈴聲(我愛官恩娜,也不及愛你的哨牙仍然在用);

謝謝顏健佳給我的3出精彩的av,雖然最精彩的一出我竟然忘了帶回家,還留在公司;

謝謝顏健佳上班打車的時候在車站載我一程,雖然只有一次;

謝謝顏健佳每逢遲到總打電話給我用友善而帶沖擊力的動詞問候我是否同樣遲到;

謝謝顏健佳送我郵筒;

謝謝顏健佳的包包送我4個imusic的布娃娃;

謝謝顏健佳陪我買益樂多,雖然我們沒能拍成那段關于益樂多的video;

謝謝顏健佳和我上墻;

謝謝顏健佳穿LeBron James給我絆倒;

謝謝顏健佳和我去工行看dbm;

謝謝顏健佳陪我去郵局寄禮物去南半球;

謝謝顏健佳在我考ccna期間代替我去跳舞;

謝謝顏健佳陪我去打bowling;

謝謝顏健佳讓我代替他出戰勇往直前,繼而風光一番;

謝謝顏健佳但凡看見靚女或走光事件總第一時間用暗號通知我;

謝謝顏健佳經常和我夾錢;

謝謝顏健佳幫我拿很多很多的郵票;

謝謝顏健佳帶我去他家吃了大概3次飯;

謝謝顏健佳用單車搭我并在濱江路口炒車;

謝謝顏健佳接受我多次的約會遲到;

謝謝顏健佳為了叼我而一天想出了100個叼我的理由;

謝謝顏健佳持續一個月內對我講一句粗口就講30句對唔住(後嚟"我對唔住你"成為新嘅粗口);

謝謝顏健佳和我去飯堂吃飯的時候專挑對面是靚女的座位坐下并拿他的手機說要幫我偷拍;

謝謝顏健佳經常用"左邊""右邊""3點位置""前邊啱行過"等方位詞鍛煉我的方向感;

謝謝顏健佳在我找不到人陪我去珠海看演唱會的時候挺身而出;

謝謝顏健佳和我在培訓中心上課時因同時聽不入老師的說話,趁課間帶上我去萬國廣場打winning;

謝謝顏健佳陪我第一次去喜窩,看我喜歡的mla;

謝謝顏健佳在必勝宅急送推出的第一周,打電話叫了pizza和我一起吃;

謝謝顏健佳和我去買campus的鞋,把好看的顏色讓給了我;

謝謝顏健佳和我去南美水療的時候,為了我能睡個好較,故意睡在我和肥勇中間,嘗試用身體隔斷肥勇的鼻鼾聲,雖然失敗;

謝謝顏健佳幫我素描"為粉腸掃描的文件";

謝謝顏健佳利用午休時間陪我去取郵件,打發票,開股票戶口等等;

謝謝顏健佳于2009年1月18日陪我去買相機;

謝謝顏健佳和我一起送喝醉了的段峰任回家,笑話百出;

謝謝顏健佳于8月17日在萬國rbt和我瘋狂偷拍鬼妹;

謝謝顏健佳,還有好多,但我累了.

贈上spice girls的goodbye歌詞:

Goodbye My Friend
( I know you're gone you said you're gone but I can still feel you here)
It's not the end
(you gotta keep it strong before the pain turns into fear)

the times when we would play about
the way we used to scream and shout
never dreamt you'd go your own sweet way

附上炒車現場照片:

 

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10/28/2009

補跑步拾趣

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人多多

天氣晴

長龍

沿路的slogan都很帥

第1km

美國英雄遠道而來

我是來跳繩的

封路了

喜歡這感覺

這里程牌與我一樣2,以致沒人與其合照

啦啦隊也來一張

水站slogan

跑第一沒人擋道

地上虹

米其林輪胎穿睡褲吗?對不起,just kidding

 

累了,不放了..照片太多.

http://www.flickr.com/photos/hanara_leung/sets/72157622656272724/

 
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10/27/2009

lucky duck

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慶幸沖出辦公室前把鯉帶上...

你真lucky,圖了合照

 
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10/23/2009

蝕咗

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frente!

不多說,這里有介紹

http://en.wikipedia.org/wiki/Frente!

是他們解散後我才認識的樂隊,

這CD還是當時的女友喪走一天雪梨城才找到的1001張,窩心.

原來最近,frente!的主唱Angie Hart來中國了,

http://www.douban.com/artist/Frent/

可是那已是8月份的事情,蝕咗!

 
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10/10/2009

游游走走

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以下游記被批為兒童版拼圖游記,

此處提供一網址,可查看成人版的游記

--http://user.qzone.qq.com/241779143/blog/1255246873

 

好了,繼續洗禮思想的旅程.

離開杭州,帶上母親到達寧波,join了另一對母子.

寧波,如其名,是一個很NB的城市,天一廣場商圈繁華到極致.

美味地道的飯店里淡而無味的beer

天一閣的一角天空

合照

月湖上的月

4人齊放孔明燈

孔明燈照亮天空

d君找到朋友了

寧波還有類似上海新天地的酒吧街,但討厭的200元最低消搞得心情沒了

還有狡猾的樹,把路都擋住了,害我們打了一次600米的taxi;

 

奉化

hi,你也來了

蔣氏宗祠

母親一直比較崇拜蔣介石和毛主席,此次到了蔣介石的故鄉,她很高興.

難忘與母親步行500級樓梯上山看蔣母之墓,

難忘蔣介石為孝順母親做的多件細致入微的小事,

一只覺得自己也算一個有孝心的人,但遠遠不夠;

 

上海

母@南京路

一直我都有上海情結,我也不知道為什么,喜歡就是喜歡.

 

同里

光臨了現象的家鄉,由于我是現象的朋友,現象的姑姑請了我們吃了一頓現象級的午餐.

這頓豐盛的午餐,也的確是"現象給"的.

黃色是令人開心的顏色,綠色是令人舒心的顏色,充滿綠色的同里,加上現象的午餐,顯得很美.

水鄉

illy

一角

2角

 

鹽官

一線潮

變線了

為了這傳說中本世紀最大的錢江潮,我們經歷的人潮和車潮更深刻

由于當地交通工程沒跟上,交警疏導不力,

我們通過步行5公里+10塊摩托5公里+20塊摩托10公里,終于逃離了車潮,

由于缺少taxi,我們用了電波少年的方式去截順風車,

遇上好心人,驅車30公里送我們到了海寧火車站.

告別時我們留下了名片和50塊報酬,謝謝浙F的司機.

 

旅途中與好友談起,他帶母親去旅行的原因是為母親慶生;

我想了想,自母親退休後,我極力主張母親去旅行并給予大力資助,

讓媽媽去旅行,是為了讓媽媽遠離家務,能比平時睡更多的覺.

我倆都是好孩子.

此次旅途,政界和商界的成功人士在婚宴上的發言,讓我進一步認清了自己的目標和方向.

天道酬勤.

 

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10/1/2009

d,where r u?

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go pics

on the board

/

on the island

/

on the island

/

sitting beside a b.

/

on a baby

/

got fever?

/

on the ship

/

on the bus

/

2009-9-30 于 千島湖.

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9/30/2009

參加婚禮去了

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杭州的氣候很舒服,是一個不錯的城市.

參加了表妹的婚禮,很豪華的級別

于浙江西子賓館

有好聽的弦樂band和當地著名的主持人.

cello的女孩很美.

祝表妹與妹夫百年好合.

 

遺憾沒能參加摯友于廣州的婚禮.

 
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9/27/2009

花拉先生,旅途愉快.

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明天返一日工,就可以放11日假了...感覺不錯;

曼聯排榜首了,感覺真好.

今天買了2只很好聽的古典和schindler's list的gift版,

開心開心.

膠片機的film用完了,可是一直未買到新的,是一個遺憾.

上周五把家里的ducks都帶回公司了.

都很可愛.

花拉先生,旅途愉快.

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9/25/2009

我聽到了溫柔的聲音

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我聽到了溫柔的,溫柔的聲音。
落下了悲傷的,悲傷的淚水
 
舒服啊....
 
 
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9/24/2009

我破解了自己的名字

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中學時有人叫我TT,

原來寓意too two,太2;

我名字縮寫LTR

TR讀作too R,也是太2.

原來都因為我太2.

 
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9/14/2009

償還

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很舊很舊的歌

閉著目 承認故事看完

什么都不算什么

即使你離得多遠 也不好抱怨

 

我們擁有的,多不過付出的一切.

戀愛最重要的作用,或許是讓我們認識自己更多.

 

 
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9/12/2009

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若不是遇上令你痛心疾首的人
你不會知道自己原來也可以很狠毒;
若不是遇上令你憐惜疼愛的人
你不會知道自己原來也可以很偉大.
我們的本性
很多時候都是被環境逼出來的;
而每一個環境
都由身邊的人牽動.
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9/2/2009

忘了她說了什么,她眼泛淚光的時候,我也有欲哭的沖動

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幾乎一樣的rundown,更簡陋的舞臺,沒有了小提琴的合奏
有著一樣的狂熱
這就是我最喜歡的--陳老師
 
上次去hk沒有長焦,這次圓滿了
 
 
 
 
 
這張的focus是後面的bass手林羿妏
每次她的髮型都不同,很有個性.
 
 
     邊一個發明了返工
  我要給佢米田共
  邊一個發明了返工
  返到我愈嚟愈窮
  
  為了薪金一萬元
  令每天都沒了沒完
  一萬元一萬元一萬元
  靈魂賣給了大財團
  
  邊一個發明了返工
  以為自己好有用
  邊一個發明了返工
  阻礙我藝術發展重重
  
  到了薪金兩萬元
  我的青春就快用完
  兩萬元兩萬元兩萬元
  我有更多事沒法做完
  
  我渴望有一個平原
  沒有政府沒有治權
  這平原這平原這平原
  有好多個美女舞蹈團
  
  邊一個發明了返工
  唔係八婆就係八公
  邊一個發明了返工
  返工喺度玩接龍
  
  到了薪金三萬元
  我都應該唔會有三萬元
  三萬元三萬元三萬元
  三萬元啲人通常都有啲串
  
  我渴望這個平原
  畢業之後啲同學見唔完
  見面唔會講買股票 買車
  結婚 生仔 買樓 買船
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8/24/2009

如果可以再見你

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--行開下,去到另一個空間,可能會有新發現.
 
記得初中的時候,看了這個廣告.
我買了人生第一只正版的華語CD
 
黎明-如果可以再見你
那時他是四大天王哦...
很多手提電話的廣告都是他拍的
廣告中的女主角的聲音也好好聽的...
 
偶爾的機會,看了Leon的演唱會,可是沒聽到想聽的歌啊...
演唱會氣氛很好,看到了與現代演唱會相比沒有的元素--例如很多人送花
 
還看到了兩個Janice
 
 
 
 
 
 
 
 
成功試驗了55-250的鏡頭喔...
 
 
 
 
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8/19/2009

腦殘系

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沒有借口
我玩了10分鐘的IQ測試,
只有75分,接近腦殘
 
那些得高分的,只能套用一句很流行的句子
 
你得到的不是高分 是寂寞
 
 
 
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8/11/2009

about Yuja Wang

Twenty-two year old Chinese pianist Yuja Wang is widely recognized for playing that combines the spontaneity and fearless imagination of youth with the discipline and precision of a mature artist. Regularly lauded for her controlled, prodigious technique, Yuja’s command of the piano has been described as “astounding” and “superhuman,” and she has been praised for her authority over the most complex technical demands of the repertoire, the depth of her musical insight, as well as her fresh interpretations and graceful, charismatic stage presence. Following her San Francisco recital debut The San Francisco Chronicle wrote “The arrival of Chinese-born pianist Yuja Wang on the musical scene is an exhilarating and unnerving development. To listen to her in action is to re-examine whatever assumptions you may have had about how well the piano can actually be played,” and The Washington Post called Yuja’s Kennedy Center recital debut “jaw-dropping.”

In the few short years since her 2005 debut with the National Arts Center Orchestra led by Pinchas Zukerman, for which the Canadian press reported “a star is born,” Yuja has already performed with many of the world’s prestigious orchestras including the Baltimore Symphony, Boston Symphony, Chicago Symphony, Dallas Symphony, Detroit Symphony, Houston Symphony, Los Angeles Philharmonic, National Symphony, New World Symphony, Philadelphia Orchestra, Pittsburgh Orchestra and the San Francisco Symphony, in the U.S., and abroad with the Tonhalle Orchestra, China Philharmonic, London Philharmonic, Nagoya Philharmonic, the NHK Symphony in Tokyo and Orchestra Mozart, among others. In 2006 Yuja made her New York Philharmonic debut at the Bravo! Vail Music Festival and performed with the orchestra the following season under Lorin Maazel during the Philharmonic’s Japan/Korea visit. That same season she performed in Leeds, U.K., and toured the Netherlands with the St. Petersburg Philharmonic led by Yuri Temirkanov. In 2008 Yuja toured the United States with the Academy of St. Martin in the Fields led by Sir Neville Marriner and in 2009 she performed as a soloist with the You Tube Symphony Orchestra led by Michael Tilson Thomas at Carnegie Hall. She has given recitals in major cities throughout North America and abroad, is a dedicated performer of chamber music, and makes regular appearances at festivals including the Aspen Festival, Santa Fe Chamber Music Festival, the Gilmore Festival, the Schleswig Holstein Festival and the Verbier Festival. She has worked with many of the world’s esteemed conductors including Claudio Abbado, Charles Dutoit, Robert Spano, Michael Stern, Yuri Temirkanov, Michael Tilson-Thomas, Osmo Vänskä, and Pinchas Zuckerman.

As a young emerging pianist, each season Yuja makes a number of important debuts, both with major orchestras and in recital. This fall she will make her Carnegie Hall orchestral debut performing with the Philadelphia Orchestra led by Charles Dutoit and perform the world premiere of Jennifer Higdon’s piano concerto with the National Symphony Orchestra led by Andrew Litton in Washington DC. During the 2009-10 season she will make her debut with the Charlotte Symphony, North Carolina Symphony, Portland Symphony Orchestra and Montreal Symphony Orchestra in North America, and abroad with the Israel Philharmonic Orchestra, Frankfurter Museumsorchester, Filarmonica della Scala, Gulbenkian Orchestra and the Monte Carlo Philharmonic. She will make recital debuts at the Kimmel Center in Philadelphia, the Hong Kong City Hall Theater and the Mozarteum in Salzburg.

Additional highlights of Yuja’s 2009-10 season include an 11-city U.S. tour with the Shanghai Symphony Orchestra led by Long Yu in honor of the orchestra’s 130th anniversary and seven performances with the Russian National Orchestra conducted by Patrick Summers during the orchestra’s 20th Anniversary U.S. tour.  She will also perform with the Philadelphia Orchestra, the Indianapolis Symphony, and the New World and San Francisco symphonies led by Michael Tilson Thomas. Yuja will perform with the Lucerne Festival Orchestra conducted by Claudio Abbado in Beijing, the Royal Philharmonic Orchestra in Spain and in London, and the Hong Kong Philharmonic.  She will give recitals in San Francisco, Vancouver, Detroit, Washington DC, Zurich, Paris, Madrid, Lisbon and Venice, among other cities worldwide. In the summer of 2010, Yuja will return to the Santa Fe Chamber Music Festival and the Verbier Festival.

Yuja is an exclusive recording artist for Deutsche Grammophon.  For her debut recording, titled Sonatas & Etudes, released in the spring of 2009, she presented a program of sonatas including Chopin’s “Funeral March,” Liszt’s Sonata in B minor, Scriabin’s Sonata no. 2, and etudes by Ligeti.

Born in Beijing in 1987, Yuja began studying piano at age six, with her earliest public performances taking place in China, Australia and Germany, and went on to study at the Central Conservatory of Music in Beijing under Ling Yuan and Zhou Guangren. Following three years, from 1999 to 2001, at the Morningside Music summer program at Calgary’s Mount Royal College, an artistic and cultural exchange program between Canada and China, Yuja moved to Canada and began studying with Hung Kuan Chen and Tema Blackstone at the Mount Royal College Conservatory. In 2002, when Yuja was 15, she won Aspen Music Festival’s concerto competition and moved to the U.S. to study with Gary Graffman at The Curtis Institute of Music in Philadelphia, where she graduated in 2008. In 2006 Yuja received the Gilmore Young Artist Award.

8/6/2009

收獲的比失去的多

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物种名称:绿萝

中文别名黄金葛魔鬼藤石柑子、藤芋、马蹄金

拉丁学名: Epipremnum  aureum

英文名称:Bunting 

沒記錯的話,放在我桌面近2個月,用heineken瓶子養著的是綠蘿

在我的悉心照料下,非常健康地成長

像以往一樣,每隔幾天就帶ta到窗臺呼吸,今天也不例外

突如其來的臺風,把ta從窗臺吹下,爆瓶.

經理經過,把ta收留了...

找到打掃衛生的阿姨清理現場,我有點失落的離開了...

下午上班,上午幫忙清場的阿姨進來了,捧著一個漂亮的花盆,里面養滿了綠蘿...

阿姨說"給你養吧,我們那里很多..."

wow...高興極了...

 

我喜歡卡斯特羅,我喜歡那些能與所有人成為朋友的人

今天,我收獲的比失去的多...

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8/2/2009

坐公車腦袋被門夾了

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The Four Seasons (Vivaldi)

The Four Seasons (Italian: Le quattro stagioni) is a set of four violin concertos by Antonio Vivaldi. Composed in 1723, The Four Seasons is Vivaldi's best-known work, and is among the most popular pieces of Baroque music. The texture of each concerto is varied, each resembling its respective season. For example, "Winter" is peppered with silvery staccato notes from the high strings, calling to mind icy rain, whereas "Summer" evokes a thunderstorm in its final movement, which is why said movement is often dubbed 'Storm'.

The concertos were first published in 1725 as part of a set of twelve concerti, Vivaldi's Op. 8, entitled Il cimento dell'armonia e dell'inventione (The Contest between Harmony and Invention). The first four concertos were designated Le quattro stagioni, each being named after a season. Each one is in three movements, with a slow movement between two faster ones. At the time of writing The Four Seasons, the modern solo form of the concerto had not yet been defined (typically a solo instrument and accompanying orchestra). Vivaldi's original arrangement for solo violin with string quartet and basso continuo helped to define the form.

List of concertos and movements

 
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7/30/2009

mozart

     在所有的音乐家中,如果说巴赫的音乐是浩瀚的大海,贝多芬则是群山之
颠,而莫扎特的音乐就意味着完美与和谐。无与伦比的才华把他造就成音乐史
上的奇迹:一个绝无仅有的全才。他以至高无上的君王姿态统驭了音乐的所有
领域和体裁,无论在歌剧、交响乐、协奏曲、钢琴作品、室内乐、舞曲、宗教
音乐诸方面,他都创造了完美和价值持久的作品,留下了无数的美妙乐章。
 

Hanara Leung

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